A drip-drop of sweat.
And then — crash!
Like a coin in water, the ripples explode and then — stop.
I look at it.
A flash —
All the healthy eats
Sun rays and tree shades from Jackie walks
Arguments with lover (not fights, don’t call them that)
Gluten-free organic ice cream
7am wakes and late night meetings
Freeway-traffic-pondering’s and —
Shazaam’ing music that glitters the soul.
This drip-drop comes loaded.
It leaves the body, rich with substance and prana
only to die, stained here on this cycling bike.
Don’t you know? —
This drip comes from a machine of a woman.
A warrior, with super-sonic strength;
metal armor to shield her from doubt,
and a heavy burdened crown, a reward of perseverance.
This drip-drop is evidence of
elbow grease soaked in thick, raw passion.
Well, now you know.
A month since my birthday.
The birth of this body, this time, this heart, this mind.
A time to celebrate.
A time to reflect.
A time for silliness.
Fingers, toes, legs, arms, all in place.
Skin taut and elastic (for now).
Heart wide open.
Mind even more expansive than yesterday.
Curiosity killed the cat, not quite yet.
Here’s to failing.
And failing again.
And failing one more time.
Continue reading “a month since”
Every week my company Subway Token Films has a quote we ponder on. This week it’s from the wise and inspiring, Tara Brach. #STFtokens
The box office has made its ruling, and the verdict is clear. You can’t keep a wonderful woman down.
“Wonder Woman,” which opened this weekend, is a mammoth hit, meeting the most optimistic expectations and setting up its director, Patty Jenkins, for a place in the record books. It’s on track to earn between $90 and $105 million domestically by Monday morning, according to industry projections. That’s the best debut ever for a movie directed by a woman.
My colleague Maureen Dowd explored this stark gender disparity in a cover story for The Times’s magazine in late 2015, noting that in the previous two years, “women were only 1.9 percent of the directors for the 100 top-grossing films.”
“Excluding their art-house divisions, the six major studios released only three movies last year with a female director,” Dowd added, referring to 2014.
Continue reading “The Triumph of ‘Wonder Woman’”