danger

danger

She’s beautiful to look at.
I try to ignore this as I listen.
Her fragrance wafts over me like steam.
“It’s oil,” she says, “Everyone is wearing it.”
I breathe it in, as I do her.

Danger.

Is what I sense when she speaks.
Sure, it’s the move/LA/making friends/figuring it out/living a new —
Danger.
I sniff her out with every moment, like a cat to a passing dog.
She plays with my hair.

God, that feels good.

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a solid goodbye

a solid goodbye

Feel from the inside, she tells me.
Dive in.
It may mean breathing differently.
Close the door from the world and give it a few seconds longer to “log in”.
Stop from feeling through the mind, that doesn’t work.
Feel from the inside.
The guts, your innards.

She’s leaving me.
I definitely feel that.
The heart aches, the mind ever-so proud, the revenge pulsates.
But what for? And who cares?
Nothing changes what’s to come, she’s leaving me.

Stop being so dramatic.

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The Triumph of ‘Wonder Woman’

The Triumph of Wonder Woman

The box office has made its ruling, and the verdict is clear. You can’t keep a wonderful woman down.

“Wonder Woman,” which opened this weekend, is a mammoth hit, meeting the most optimistic expectations and setting up its director, Patty Jenkins, for a place in the record books. It’s on track to earn between $90 and $105 million domestically by Monday morning, according to industry projections. That’s the best debut ever for a movie directed by a woman.

My colleague Maureen Dowd explored this stark gender disparity in a cover story for The Times’s magazine in late 2015, noting that in the previous two years, “women were only 1.9 percent of the directors for the 100 top-grossing films.”

“Excluding their art-house divisions, the six major studios released only three movies last year with a female director,” Dowd added, referring to 2014.

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